Όταν η αγάπη έχει εμπόδια, μερικές φορές ένα τραγούδι, ένα ποιήμα, ακόμα και μια πρόταση ελπίδας, μπορεί να της δείξει το δρόμο.... Η Ακουστική ΨυχοΈκφραση, είναι εδώ για να σας ακούσει, να προβληματιστεί μαζί σας και ΙΣΩΣ και να σας βοηθήσει στο να δείτε και να δρομολογήσετε Έσεις την δική σας έκφραση ψυχής.
Saturday, 15 June 2013
877..video ..:: Xylina Spathia ~ Atlantis :: Ξύλινα Σπαθιά ~ Ατλαντίς ::..
https://www.youtube.com/watch?v=JZ0ttzjiMK8
..:: Xylina Spathia ~ Atlantis :: Ξύλινα Σπαθιά ~ Ατλαντίς ::..
875..video ..:: Exoristoi - It Hurts Me :: Εξόριστοι ::..
..:: Exoristoi - It Hurts Me :: Εξόριστοι ::..
874...video Blood Sweat & Tears - "I Love You More Than You'll Ever Know"
Blood Sweat & Tears - "I Love You More Than You'll Ever Know"
Child Is Father to the Man is the debut album by Blood, Sweat & Tears, released in February of 1968.
Widely regarded as a classic fusion of jazz, rock and roll, psychedelia and classical music, Child Is Father to the Man is one of bandleader Al Kooper's most enduring works. The album introduced the idea of the big band to rock and roll and paved the way for such groups as Chicago. Kooper left the band after this album, changing the nature of the group.
Child Is Father to the Man peaked at #47 on Billboard's (North America) Pop Albums chart. It failed to generate any Top 40 singles in the United States, although "I Love You More Than You'll Ever Know" and "I Can't Quit Her" found some play on progressive rock radio.
In 2003, the album was ranked number 264 on Rolling Stone magazine's list of the 500 greatest albums of all time.
The title is a quotation from a similarly titled poem by Gerard Manley Hopkins, slightly misquoting a poem by William Wordsworth called "My Heart Leaps Up When I Behold".
The album was re-released in the UK in 1973, entitled "The First Album" on Embassy Records, a subsidiary of Columbia Records (catalogue number EMB 31028) with an identical track listing and the same picture on the front of the sleeve. The rear had new sleeve notes written by English DJ, Noel Edmunds.
Widely regarded as a classic fusion of jazz, rock and roll, psychedelia and classical music, Child Is Father to the Man is one of bandleader Al Kooper's most enduring works. The album introduced the idea of the big band to rock and roll and paved the way for such groups as Chicago. Kooper left the band after this album, changing the nature of the group.
Child Is Father to the Man peaked at #47 on Billboard's (North America) Pop Albums chart. It failed to generate any Top 40 singles in the United States, although "I Love You More Than You'll Ever Know" and "I Can't Quit Her" found some play on progressive rock radio.
In 2003, the album was ranked number 264 on Rolling Stone magazine's list of the 500 greatest albums of all time.
The title is a quotation from a similarly titled poem by Gerard Manley Hopkins, slightly misquoting a poem by William Wordsworth called "My Heart Leaps Up When I Behold".
The album was re-released in the UK in 1973, entitled "The First Album" on Embassy Records, a subsidiary of Columbia Records (catalogue number EMB 31028) with an identical track listing and the same picture on the front of the sleeve. The rear had new sleeve notes written by English DJ, Noel Edmunds.
873...video The Marshall Tucker Band - "Running Like The Wind"
The Marshall Tucker Band - "Running Like The Wind"
867..video Barry Manilow - Looks like We made it (Lyrics)
Barry Manilow - Looks like We made it (Lyrics)
866...video ALL MY LIFE - Aaron Neville & Linda Ronstadt
ALL MY LIFE - Aaron Neville & Linda Ronstadt
Am I really here in your arms
This is just like I dreamed it would be
I feel like we're frozen in time
And you're the only one I can see
Hey, I've looked all my life for you
Now you're here
Hey, I've spent all my life with you
All my life
And I never really knew how to love
I just hope somehow I'd see
Oh I ask for a little help from above
Send an angel down to me
Hey, I've looked all my life for you
Now you're here
Hey, I've spent all my life with you
All my life
I never thought that I could feel a love so tender
Never thought I could let those feelings show
But now my heart is on my sleeve
And this love will never leave
I know
I know
Hey, I've looked all my life for you
And now you're here now you're here
Hey, I've spent all my life with you
All my life all my life
Hey, I've looked all my life for you
And now you're here now you're here
Hey, I've spent all my life with you
All my life
This is just like I dreamed it would be
I feel like we're frozen in time
And you're the only one I can see
Hey, I've looked all my life for you
Now you're here
Hey, I've spent all my life with you
All my life
And I never really knew how to love
I just hope somehow I'd see
Oh I ask for a little help from above
Send an angel down to me
Hey, I've looked all my life for you
Now you're here
Hey, I've spent all my life with you
All my life
I never thought that I could feel a love so tender
Never thought I could let those feelings show
But now my heart is on my sleeve
And this love will never leave
I know
I know
Hey, I've looked all my life for you
And now you're here now you're here
Hey, I've spent all my life with you
All my life all my life
Hey, I've looked all my life for you
And now you're here now you're here
Hey, I've spent all my life with you
All my life
865...video "I Will Always Love You" Linda Ronstadt
"I Will Always Love You" Linda Ronstadt
There have been many versions of "I Will Always Love You," including several by its writer, Dolly Parton, and the best known by the late Whitney Houston, but, in my opinion, none equal the beauty, emotion, and power expressed by Linda Ronstadt in her version from her 1975 LP, Prisoner in Disguise on Asylum/Elektra Records, available on CD.
862...video ..:: Pavlov's Dog - Julia ::..
..:: Pavlov's Dog - Julia ::..
Julia you set the standards for me.
Walk to your door.
Beggin for it just to be more and...
Julia I couldn't do much better than you.
Said so yourself!
I wouldn't want anyone else...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you...
Julia, oh you're drivin me crazy,
But I'm... I'm a part of your plans.
Oh just a man while your dreams be,
Oh please see how much
how much you mean to me,
Please see how much
how much you mean to me
Julia...
And Julia straight away you've had me
And I know I've had you.
You're a part of me too...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you
Julia...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you
Julia...
Walk to your door.
Beggin for it just to be more and...
Julia I couldn't do much better than you.
Said so yourself!
I wouldn't want anyone else...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you...
Julia, oh you're drivin me crazy,
But I'm... I'm a part of your plans.
Oh just a man while your dreams be,
Oh please see how much
how much you mean to me,
Please see how much
how much you mean to me
Julia...
And Julia straight away you've had me
And I know I've had you.
You're a part of me too...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you
Julia...
And I can't live without your love!
And I can't live without your love!
Well I can't live without you
Julia...
861...video Marillion - "Kayleigh"
Marillion - "Kayleigh"
Marillion emerged from the short-lived progressive rock revival of the early '80s to become one of the most enduring cult acts of the era. The group formed in Aylesbury, England, in 1979, and adopted its original name, Silmarillion, from the title of a J.R.R. Tolkien novel. Initially, Marillion were comprised of guitarist Steve Rothery, bassist Doug Irvine, keyboardist Brian Jelliman, and drummer Mick Pointer, but after recording "The Web," an instrumental demo, they recruited vocalist Fish (born Derek Dick) and bassist Diz Minnitt. Prior to recording their debut single, "Market Square Heroes," keyboardist Mark Kelly and bassist Pete Trewavas replaced Jelliman and Minnitt.
Marillion issued their debut album, Script for a Jester's Tear, in 1983, and on the strength of a relentless touring schedule they won a loyal following. With new drummer Ian Mosley (formerly of Curved Air) firmly in place, they returned to the studio for 1984's Fugazi, which streamlined the intricacies of the group's prog rock leanings in favor of a more straight-ahead hard rock identity; the refinements paid off, and both "Assassin" and "Punch and Judy" became British hits. With 1985's Misplaced Childhood, an elaborate conceptual album reflecting Fish's formative experiences, Marillion earned their greatest success to date; the lush ballad "Kayleigh" reached the number two position on the U.K. charts, and became a hit in the U.S. as well. The follow-up, "Lavender," was also a smash, but the group began crumbling: Fish developed alcohol and drug problems, and egos ran rampant. After 1987's Clutching at Straws (and the 1988 live effort The Thieving Magpie), Fish left the band for a solo career.
The initial release of post-Fish Marillion did not substantially alter the sound the band had displayed on Misplaced Childhood and Clutching at Straws. The addition of lyricist John Helmer and lyricist/vocalist Steve Hogarth came after the band had developed much of the musical material for Season's End, and few alterations in style were made. The follow-up, Holidays in Eden, was intended as a more mainstream rock album but failed to attract a wider audience. Marillion's record label, EMI, gave the band a higher budget for the next album and the result of 15 months labor was Brave, a concept album that mixed classic symphonic progressive rock with standard rock. The following release, Afraid of Sunlight, considerably altered the band's approach with great success — it is the most consistent Marillion release to date.
Following Afraid of Sunlight, the bandmembers split up briefly to record side projects. Hogarth released Ice Cream Genius under the name H, Rothery formed the Wishing Tree (which produced Carnival of Souls), and Mosley and Trewavas joined Iris for Crossing the Desert. The Rothery and Hogarth projects were both very acoustic in nature, and when the band re-formed for This Strange Engine in 1997, Marillion's style changed again to a softer sound.
After the release of This Strange Engine, Marillion scheduled a European tour, but keyboardist Kelly posted an Internet message stating that the band would not tour the United States due to a lack of record company support. Fans of the band worldwide joined forces to raise over $60,000 to underwrite the tour, and the band undertook its largest North American tour since Holidays in Eden. In 1998, the band returned to the studio to record its tenth album, Radiation. Again changing styles, the effort showed the influences of the Beatles and Radiohead, specifically OK Computer. Marillion.com followed in 1999, and the 2000s have thus far seen the release of two additional studio albums, 2001's Anoraknophobia and 2004's Marbles, the latter displaying the influences of both U2 and Pink Floyd.
Marillion issued their debut album, Script for a Jester's Tear, in 1983, and on the strength of a relentless touring schedule they won a loyal following. With new drummer Ian Mosley (formerly of Curved Air) firmly in place, they returned to the studio for 1984's Fugazi, which streamlined the intricacies of the group's prog rock leanings in favor of a more straight-ahead hard rock identity; the refinements paid off, and both "Assassin" and "Punch and Judy" became British hits. With 1985's Misplaced Childhood, an elaborate conceptual album reflecting Fish's formative experiences, Marillion earned their greatest success to date; the lush ballad "Kayleigh" reached the number two position on the U.K. charts, and became a hit in the U.S. as well. The follow-up, "Lavender," was also a smash, but the group began crumbling: Fish developed alcohol and drug problems, and egos ran rampant. After 1987's Clutching at Straws (and the 1988 live effort The Thieving Magpie), Fish left the band for a solo career.
The initial release of post-Fish Marillion did not substantially alter the sound the band had displayed on Misplaced Childhood and Clutching at Straws. The addition of lyricist John Helmer and lyricist/vocalist Steve Hogarth came after the band had developed much of the musical material for Season's End, and few alterations in style were made. The follow-up, Holidays in Eden, was intended as a more mainstream rock album but failed to attract a wider audience. Marillion's record label, EMI, gave the band a higher budget for the next album and the result of 15 months labor was Brave, a concept album that mixed classic symphonic progressive rock with standard rock. The following release, Afraid of Sunlight, considerably altered the band's approach with great success — it is the most consistent Marillion release to date.
Following Afraid of Sunlight, the bandmembers split up briefly to record side projects. Hogarth released Ice Cream Genius under the name H, Rothery formed the Wishing Tree (which produced Carnival of Souls), and Mosley and Trewavas joined Iris for Crossing the Desert. The Rothery and Hogarth projects were both very acoustic in nature, and when the band re-formed for This Strange Engine in 1997, Marillion's style changed again to a softer sound.
After the release of This Strange Engine, Marillion scheduled a European tour, but keyboardist Kelly posted an Internet message stating that the band would not tour the United States due to a lack of record company support. Fans of the band worldwide joined forces to raise over $60,000 to underwrite the tour, and the band undertook its largest North American tour since Holidays in Eden. In 1998, the band returned to the studio to record its tenth album, Radiation. Again changing styles, the effort showed the influences of the Beatles and Radiohead, specifically OK Computer. Marillion.com followed in 1999, and the 2000s have thus far seen the release of two additional studio albums, 2001's Anoraknophobia and 2004's Marbles, the latter displaying the influences of both U2 and Pink Floyd.
860 ...video Pavlov's Dog - "Episode"
Pavlov's Dog - "Episode"
Pavlov's Dog is a 1970s progressive rock/AOR band formed in St. Louis in 1972. Pavlov's Dog originally comprised David Surkamp, Steve Scorfina, Mike Safron, Rick Stockton, David Hamilton, Doug Rayburn, and Siegfried Carver (born Richard Nadler). On their second album At the Sound of the Bell (1976), Tom Nickeson was added to the line-up on guitar and he took over Hamilton's keyboard position after the album had been recorded as Hamilton left the band. Safron was still a member of the band but did not appear on the second album, former Yes drummer Bill Bruford played as a guest musician. Safron left in the aftermath of this, partially due to his failure to receive a promised credit on the album sleeve and the band's third album featured Kirk Sarkisian on drums.
The band's debut Pampered Menial was briefly released in 1974 on ABC Records but then quickly re-issued by Columbia Records. The result was that both versions appeared in stores at nearly the same time, which may have confused the public. The album was produced by Sandy Pearlman and Murray Krugman who had found success earlier in the decade producing Blue Öyster Cult. Carver left the band after the release of Pampered Menial.
Their second album At The Sound Of The Bell followed on Columbia in 1975. In addition to the personnel changes noted above, a raft of guest artists contributed to the album including jazz saxophonist Michael Brecker and Roxy Music's Andy MacKay.
The band recorded a third album in 1977, but due to poor sales of the first two albums, Columbia refused to release it, hastening the band's split. The third album finally appeared as a bootleg in the 1980s, a limited edition pressed from stolen master tapes. It was released under the name The St. Louis Hounds, without Pavlov's Dog's name on the sleeve. The third album finally was released legally in 2007 by German label Rockville Music, titled Has Anyone Here Seen Siegfried?, remastered and including additional 10 bonus tracks of unreleased material from the 1970s. The German label TRC illegally bootlegged the album, with title Third, but this version does not include the bonus tracks.
David Surkamp's high-pitched and quickly wavering vibrato has been compared to that of Geddy Lee of Rush. Surkamp once wept openly after losing a table tennis match in St. Louis in 1977. When the band split up in the late 1970s, Surkamp was rumored to be dead, although in fact he was working with former Fairport Convention member Ian Matthews on a band named Hi-Fi. While living in Seattle the group was successful on the club scene and recorded a 5-track live 12" EP in 1981 entitled Hi-Fi Demonstration Record and a studio album in 1983 entitled Moods For Mallards. Both Hi-Fi records were released on First American Records and distribution was mostly limited to the Pacific Northwest region. The small label self-destructed not long after when investors ran into tax trouble with the Internal Revenue Service.
In 1990, a reformed version of the band, with only Surkamp and Rayburn from the original line-up along with some contribution from Scorfina, recorded Lost In America for US label Telectro Records, which was re-released worldwide by Rockville Music in 2007, after TRC also having illegally bootlegged it in the late 1990s.
On June 26, 2004, a reunion concert with the original lineup, except for Siegfried Carver, took place in St. Louis, Missouri. A version of the band has since toured annually in Europe since 2005. Among other venues, they played the Arrow Rock Festival in Holland 2006 in front of 54,000 people, as well as headlining both the Burg Herzberg Festival in 2007 (12,000 people) and the Woodstock Festival in 2008 (5,000 people).
In 2007 the solo album Dancing On The Edge Of A Teacup, by Pavlov's Dog's lead singer David Surkamp, was released by Rockville Music.
The band will tour again late 2010 and release a new studio albumn (Echo & Boo).
Richard Nadler, the band's violinist (under the stage name Siegfried Carver), died on May 30, 2009. He was 60 years old.
The band's debut Pampered Menial was briefly released in 1974 on ABC Records but then quickly re-issued by Columbia Records. The result was that both versions appeared in stores at nearly the same time, which may have confused the public. The album was produced by Sandy Pearlman and Murray Krugman who had found success earlier in the decade producing Blue Öyster Cult. Carver left the band after the release of Pampered Menial.
Their second album At The Sound Of The Bell followed on Columbia in 1975. In addition to the personnel changes noted above, a raft of guest artists contributed to the album including jazz saxophonist Michael Brecker and Roxy Music's Andy MacKay.
The band recorded a third album in 1977, but due to poor sales of the first two albums, Columbia refused to release it, hastening the band's split. The third album finally appeared as a bootleg in the 1980s, a limited edition pressed from stolen master tapes. It was released under the name The St. Louis Hounds, without Pavlov's Dog's name on the sleeve. The third album finally was released legally in 2007 by German label Rockville Music, titled Has Anyone Here Seen Siegfried?, remastered and including additional 10 bonus tracks of unreleased material from the 1970s. The German label TRC illegally bootlegged the album, with title Third, but this version does not include the bonus tracks.
David Surkamp's high-pitched and quickly wavering vibrato has been compared to that of Geddy Lee of Rush. Surkamp once wept openly after losing a table tennis match in St. Louis in 1977. When the band split up in the late 1970s, Surkamp was rumored to be dead, although in fact he was working with former Fairport Convention member Ian Matthews on a band named Hi-Fi. While living in Seattle the group was successful on the club scene and recorded a 5-track live 12" EP in 1981 entitled Hi-Fi Demonstration Record and a studio album in 1983 entitled Moods For Mallards. Both Hi-Fi records were released on First American Records and distribution was mostly limited to the Pacific Northwest region. The small label self-destructed not long after when investors ran into tax trouble with the Internal Revenue Service.
In 1990, a reformed version of the band, with only Surkamp and Rayburn from the original line-up along with some contribution from Scorfina, recorded Lost In America for US label Telectro Records, which was re-released worldwide by Rockville Music in 2007, after TRC also having illegally bootlegged it in the late 1990s.
On June 26, 2004, a reunion concert with the original lineup, except for Siegfried Carver, took place in St. Louis, Missouri. A version of the band has since toured annually in Europe since 2005. Among other venues, they played the Arrow Rock Festival in Holland 2006 in front of 54,000 people, as well as headlining both the Burg Herzberg Festival in 2007 (12,000 people) and the Woodstock Festival in 2008 (5,000 people).
In 2007 the solo album Dancing On The Edge Of A Teacup, by Pavlov's Dog's lead singer David Surkamp, was released by Rockville Music.
The band will tour again late 2010 and release a new studio albumn (Echo & Boo).
Richard Nadler, the band's violinist (under the stage name Siegfried Carver), died on May 30, 2009. He was 60 years old.
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